Scott Gershin
Freddy Vinehill-CliffeWe discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Sara Carter
Freddy Vinehill-CliffeWe heard all about what first sparked Sara's interest in the world of audio, as well as her thoughts on NUGEN.
Bob Cooper
Freddy Vinehill-CliffeMixing/mastering engineer and music producer Bob Cooper shows us around The Chairworks, and explains how NUGEN Audio's SEQ-S fits into his workflow.
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Eva Reistad
Tom GriffinNUGEN Audio Q&A with Globetrotting Mixing Engineer
Rik Simpson
Tom GriffinRIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”
Frank Morrone
Tom GriffinLM-Correct, ISL and VisLM plug-ins have become essential parts of my workflow that I can’t do without
Michael J. Moritz
Freddy Vinehill-CliffeMichael Moritz joins us for an in-depth Q&A
Jonathan Garcia
Tom GriffinShoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Ayako Yamauchi
Freddy Vinehill-CliffeAyako Yamauchi calls on NUGEN Post for gaming and streaming projects
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Tre Nagella
Freddy Vinehill-CliffeNUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella
Nartan Savona
Freddy Vinehill-CliffeThe owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards
Richard Sykes
Freddy Vinehill-CliffeFor Richard Sykes, NUGEN is top of the class.
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Chris Fogel
Tom GriffinA Variety of the Brand’s Plug-ins Serve as Long-time, Essential Solutions for the Multiple Award-winning Recording and Mixing Engineer
Dave Isaac
Freddy Vinehill-CliffeGrammy Award-winner Dave Isaac describes how NUGEN Audio tools have enhanced his creative process, original article first appeared in Regional Film and Video.
Kate Davis
Freddy Vinehill-CliffeKate sat down to talk us through her career beginnings, and some of her most impactful recent projects. She also had some nice things to say about NUGEN Audio’s Loudness Toolkit!
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
DELTA Soundworks
Freddy Vinehill-CliffeAn in-depth Q&A with Ana Monte (lead sound designer) and Daniel Deboy (lead sound engineer), co-founders of DELTA Soundworks
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Shreyas Srinivas
Freddy Vinehill-CliffeNUGEN plug-ins enhance the mix without burying significant dialogue for Shreyas Srinivas.
Xandy Barry
Tom GriffinInside the mix with Xandy Barry
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
Husky Höskulds
Freddy Vinehill-CliffeHusky Höskulds discusses flexible workflows using NUGEN plug-ins.
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Jan Kybert
Freddy Vinehill-CliffeJan Kybert partners with London's Dean Street Studios to provide a new avenue of creativity for Dolby Atmos music mixing
Phil McGowan
Tom GriffinMcGowan Soundworks talks best practices for score mixing on high-profile Netflix and YouTube projects
Chris Fogel
Tom GriffinELBO Studios implements NUGEN Audio for wide array of music and film scoring projects.
Brian Riordan
Freddy Vinehill-CliffeMeeting 5.1 upmix challenges with Emmy Award-winner Brian Riordan, original article first appeared in Post Magazine.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Simon Pressey
Freddy Vinehill-CliffeWe hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.
Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Allison Casey
Freddy Vinehill-CliffeAllison talks post production and inclusivity, and gives us an insight into her fast turnarounds for long-form unscripted TV.
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Jordan Schultz
Tom GriffinQ&A with mixing & mastering engineer Jordan Schultz
Alvin Wee
Freddy Vinehill-CliffeNUGEN delivers deeper workflow control for mix engineer Alvin Wee.
Hendrik Simoens
Freddy Vinehill-CliffeBelgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.
Thierry De Vries
Tom GriffinSelection of intuitive high-quality plug-ins provide seamless integration and smooth workflow for owner and industry veteran Thierry De Vries.
Samuele Tezza
Freddy Vinehill-CliffeSamuele Tezza explains why SAMPLE relies on NUGEN Audio's LMB in post-production, original article first appeared in TV Bay.
Glen Schricker
Tom GriffinNUGEN Audio helps bring “Sex And The City” remaster to life
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Nic Hard and Fab Dupont
Tom GriffinSnarky Puppy's latest album mixed in Dolby Atmos
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Rich Aitken
Tom GriffinNUGEN Audio proves essential to Rich Aitken's TV, film & game sound mixing
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